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Christine and the queens: looking for warmth

It had a liberating, euphoric evening can be in Vorst Nationaal. But Christine and the queens showed that you also have a wonderful record as ‘Chris’ the fun can wegchoreograferen.

Here we thought that we to West Side Story were to look. During the first three songs did Christine and the queens of the stage of forest National bright lights, as if it were a musical. That …

Here we thought that we to West Side Story were to look. During the first three songs did Christine and the queens of the stage of forest National bright lights, as if it were a musical. A dozen dancers in two faced each other rose from to days, took care of the rest. As a key player Heloïse Letissier had not risen to the occasion: ‘Comme si’ and ‘Damn, dis-moi’ brought them lustily during a graceful choreography – we see the Justin Bieber or Taylor Swift don’t immediately cop.

Letissier a result of a increased endurance. During her tour with doorbraakalbum Chaleur Humaine , she saw her body still atletischer. It was the inspiration for Chris, a crackling discoplaat which Letissier’s macho, there’s a way and does everything and says what girls traditionally were not allowed to do or say. “Qu’est-ce qu’une femme doit faire ici para follarse?’, she asked with a Spanish krachtterm, while the dancers of her lives. To scornfully back to throw: ‘Est-ce qu’il faut payer?’

But even that number lost a part of his frantic anger by how Christine and the Queens the show in forest National has acquired. Her tender, cautious debut album was not magical by the meticulous choreography that helps them live brought – there was not a foot wrong. But at the funkier, zweteriger Chris ran the dancers of an accident, literally in circles around an almost cabaret boosting Letissier. Together with the bright lighting made it sure that we are even in the euphoric ‘5 dols, ” the feeling had to museumperformance to look. Or how you also have a delicious plate the fun can wegchoreograferen.

The premature christmas spirit at ‘Nuit 17 à 52’, in which the audience is laafde to a acapellasessie, turned Letissier yourself from the neck to there continuously through lollen – way chance on goose bumps. That came only when the concert in extra time went. Suddenly plunged the French in the middle of the audience for an intense ‘Saint Claude’ – no dancers, no elaborate speaking, only emotion. That intimate moment was still rewarded with a standing ovation. Because it in fact had what the rest of the evening was missing: a little bit of chaleur humaine.

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